Dance Projects
Nel 2015 ho ottenuto il diploma di primo livello in Danza Contemporanea presso l'Accademia Nazionale di Danza di Roma nel 2015 dove ho studiato molteplici stili di danza e ho interpretato PSALM di José Limón sostenuto dalla Fondazione Limón.
Dopo un tirocinio con il Budapest Dance theater, ho trascorso due anni in Israele dove ho danzato con il Dance Journey della Kibbutz Contemporary Dance Company e ho studiato la tecnica GAGA con la Batsheva Dance Company.
In Israele, ho presentato la mia creazione MATER durante l'evento Nitzotzot al Kibbutz Ga'aton, Hazafon e ho danzato per diversi coreografi tra cui Hayley Ader, Jana Buzuk, Kelsey Duncan, Rami Baer, Eyal Dadon, Yaniv Abraham, Noa Zuk, Vertigo Dance, Ilya Nikurov.
Ho danzato con DalioArts (Amsterdam) l'assolo EXHIBIT alla galleria HIGHS&LOWS 4BID e con la Kim Robards Dance Company a Denver, Colorado (USA) in tournée in più di 40 teatri in tutto il Colorado.
Come freelance ho portato in scena Body Architecture al festival STRIPE ART di Fermo, Italia e al festival internazionale di arte e architettura Borders a Venezia durante la Biennale; Dal 2018 collaboro con il danzatore Mattia Raggi per le stagioni teatrali estive nei comuni di Toscolano Maderno e Gargnano sul Garda.
Nel 2019 ho collaborato con la coreografa Sandra Fuciarelli per l'opera IN>SEGUIMI rappresentata al MACRO, il Museo d'Arte Contemporanea di Roma.
Maneggiami
con cura
2024
Choreography and dance by Silvia Pipponzi.
Coordination by Sandra Fuciarelli - ParoleCheDanzano Collective.
A performance inspired by the poem "Be Gentle with Me" by Mariangela Gualtieri, explores the delicate balance between fragility and violence, and the nostalgia for tenderness we will no longer experience after death.
Every movement embodies the longing to be treated with care and respect, to be preserved in our humanity.
maneggiami con cura
Venus & Mars
2024
"Venus & Mars" symbolizes the contrasting yet complementary energies of Venus and Mars, embodied by a female and a male dancer. Venus represents femininity, love, and beauty, while Mars symbolizes strength, aggression, and action. Through their dance, they explore the balance between love and conflict, beauty and power. The performance conveys a universal message of unity through duality, encouraging the audience to embrace and harmonize opposing forces within themselves and the world around them.
Gargano sul Garda, Brescia, Italy
who am I
2023
Our body is like clay, constantly shaped by the experiences we encounter, the thoughts and emotions that run through us. Our body remembers and tells better than anyone else what we are and the story with which we present ourselves to the world. Our bodies are also shaped by how we think about ourselves and the eyes with which we look outward. Ultimately, we are the result of a constant dialogue between body, thought and feeling. These three talk to each other all the time and tell old stories, fears, new shocks and fantasies, future glories and all the love we have received, or have not received.
Gargano sul Garda, Brescia, Italy
2000 miles
2017
--2000 miles--3,218,688 km--10,560,000 ft-- of separation.
Dividing families, cultures, economies, and human beings.
An obstacle obstructing human rights, a rift created by fear.
The stories and experiences of the people affected by the border, immigration, crime, and the prospect of a wall are varied yet crucial. These are the stories we aim to tell.
What do I have to do to show you I'm human?
I breathe this air, just like you
Walk this land, like you
Brush my hair as do you
Ten fingers, Two hands
Two feet, One head
Conifer, Colorado, USA
vacuum
2018
This experimental video project was born from a collaboration between the American videographer Ralph Cope and the Italian light designer Francesco Concetti.
What happens when we feel locked inside our own bodies?
the skin becomes thicker, the body havier and the heartbeats speeds up.
The need to escape arises.
vinculum
The Vinculum project stems from the artistic need to represent the condition of human beings in the modern society which is transforming us neglecting our true nature: people are born free, spontaneous and communicative with the need of connections and relationships. Two bodies with their faces covered by intertwined threads, connected by the same energy but unable to communicate and to understand each other. An unstoppable journey to find a bond.
Palazzo Bettoni, Gargnano Sul Garda (BS)
2018
bhalavati
2018
We are pervaded by nostalgia for the ancient wild nature. They taught us to be ashamed of such a desire.
We let our hair grow and used them to hide our feelings. But the shadow of the Wild Woman is still flattened inside us, in our days, in our nights.
We all enter the world to dance.
There come moments when it is a must to release a rage that shakes the skies.
Amaca TestingArt, Altidona (FM)
body architecture
A site-specific work in which the aim is to create a performance where the landscape, the installation, and the sculpture enhance the movement. The concept digs deep into the relationship between the body and architecture, showing that the body is architecture in itself. It is a salient architectonic form that interplays with the dimensions of space and time.
Palazzo Ca Zanardi, Venezia
&
Grandi Cisterne Romane, Fermo
2017
The Vinculum project stems from the artistic need to represent the condition of human beings in the modern society which is transforming us neglecting our true nature: people are born free, spontaneous and communicative with the need of connections and relationships. Two bodies with their faces covered by intertwined threads, connected by the same energy but unable to communicate and to understand each other. An unstoppable journey to find a bond.
Palazzo Bettoni, Gargnano Sul Garda (BS)
Exhibit
Based and inspired by a philosophical concept used by existentialist philosophers Jean-Paul Sartre and Simone de Beauvoir to describe the phenomenon where human beings under pressure from social forces adopt false values and disown their innate freedom, hence acting inauthentically.
Galleria Highs&Lows 4 BID Amsterdam
2017
Hamlet
Drama, tragedy, murder.
And love, how big is Ophelia's love?
Immense, immeasurable, pure and perfect.
It is that kind of love that can push a soul throw into an abyss,
"..Fear it, Ophelia, fear it, my dear sister, and keep up the rear of your affection ..."
The dark water, the open arms, in that gesture surrendered, impotent.
The flowers floating on the water, her hair long and wavy.
And her face, that white, almost transparent skin, her eyes wide with amazement, her lips parted, after she gave up her last breath.
This is Ophelia, in her fragility, in the end, in defeat.
Campo Ippico, Toscolano Maderno (BS)
2019
